Exhibition: No Man's Land, 1990
Yard Bird, 1990
Welded steel, paint
127" x 48" x 57"
The idea of public art, and the sensation of producing and working on large scale sculpture outdoors, is something that I treasure. The synthesis of the industrialist's intellect, the physical pleasure of making something outdoors, and the jazz/voodoo improvisational process I use in composing my work, combine to create an odd sense of being whole, in a world where wonderful things are often made of what seems to be disparate parts.